Agent A-05 Live
Maude, business affairs: friendly coral flat-vector character with a silver bun and round reading glasses.

Your royalty statements
aren’t going to read themselves.

Maude handles business affairs and catalog analysis for your team. She reads royalty statements, splits, and sync placements, then runs the numbers forward: sales projections, revenue forecasts, and the reporting a label meeting would ask for. Every read links its sources, writes out its assumptions, and goes to your team for review, in plain English.

Included with Pro, $49 per artist per month, and with Advanced. Start free with 150 credits.

Is anything wrong with this royalty statement?
She reads it line by line
Is the per-stream rate right?
She checks it against the benchmark
Does this split sheet add up?
She validates every share before it is signed
What does the catalog earn next year?
She runs the forecast

§ 01 · The work

A business affairs desk for every artist on the roster.

Royalty data sits in distributor portals, label PDFs, and publisher exports, each in its own format. Statements are written for the platforms, not for the people whose music funds them. Checking them line by line, across every artist, takes time most teams would rather spend elsewhere, and income from a place an artist is owed is easy to miss.

Music is hard. The numbers shouldn’t be.

Here is how the work runs. Your team hands Maude what it has: distributor reports, publisher and PRO statements, split sheets, dashboard screenshots. She checks each line against what the artist should be getting paid, flags the gaps, and ranks them by dollar impact. Every finding links back to the line it came from, says what she assumed, and carries a confidence level. When the evidence is thin, she says she cannot tell what caused a change instead of guessing. Your team reviews the read and decides what to act on.

Ask Maude
›Look at the last statement for Imagine. Something feels off.›Streams are up but the money isn't. What's going on?›Three writers on this track. Who is owed what?
›The song was in a Netflix show. Did we get paid for both sides?›At this pace, what does the catalog earn next year?›Are we collecting everywhere we should be? MLC, the PRO, all of it?

§ 02 · What Maude does

Four jobs for your team.

01

She reads your statements

Hand Maude whatever you have. Distributor reports, royalty statements, spreadsheets, screenshots. She checks every line against what the artist should be getting paid and flags anything that looks off, with the line it came from.

02

She looks for money that is not coming in

She checks where an artist is registered and collecting, and points to places income may be sitting uncollected. Each gap comes with her estimate and how she got it.

03

She runs your numbers

Where the money is coming from and where it is going, by platform and territory. Then a forecast of where the business is headed, with the assumptions written out so your team can check them.

04

She watches the catalog

On Advanced, Maude tracks the songs your team adds to Catalog each day and flags what moved. Days a streaming service is still reporting stay marked unconfirmed, and she names a cause only when the evidence supports one.

§ 02b · Where your team decides

Maude does the reading. Your team makes the call.

MAUDE

What she does

  • ·Reads statements, splits, and dashboards line by line
  • ·Links each finding to the line or source it came from
  • ·Writes out the assumptions behind every estimate and forecast
  • ·Gives each finding a confidence level, and says when she cannot tell what caused a change

YOUR TEAM

What your team decides

  • ·Whether a finding holds up, after checking her sources
  • ·What to act on, such as filing a registration or raising a dispute
  • ·When to bring in a lawyer or an accountant
  • ·What goes to the artist, the label, or the next meeting

Every number, with where it came from.

§ 03 · A letter from Maude

What Maude sends back.

From Maude

Dear Kaia,

Your streams are up 43% year-over-year. Nice work. Your revenue only grew 11%. Here is why.

The good news

  • · Spotify streams 2.1M to 3.0M (+43%)
  • · “Neon Drive” hit three editorial playlists
  • · Apple Music growing in the UK and Germany

The flags

  1. 1. You are not collecting royalties from two major places you are owed. About $1,200/yr sitting unclaimed.
  2. 2. Your music is earning in 30+ countries but you are only set up to collect in the US. Estimated gap $800/yr.

The math

Money left on the table: ~$2,000/yr

What I’d do next

  1. 1. Register with the MLC and SoundExchange. About ten minutes, no fee.
  2. 2. File for international neighboring rights collection. Set and forget.

Yours in the numbers,
Maude

A real assessment from Maude. Names changed. The dollar figures are her estimates from what was shared, for a person to check before acting on them.

§ 03b · Try the assessment

A two-minute read of your business.

Tell Maude about the business in your own words. Drop in a screenshot of a Spotify, Apple Music, or distributor dashboard if you have one. She returns a short letter, the same shape your team gets inside Symphony.

Maude is listeningClick to write your own

§ 03 · Plan

Maude comes with Pro.

Pro

For a team running ads, pages and fan messaging.

  • ·Maude included
  • ·2 seats, $20 per extra seat
  • ·Ads, websites, presaves, fans and messaging

$49

Per artist, per month.

250 credits per artist, every month

Start free

Advanced

For labels, managers and marketing teams.

  • ·Maude included
  • ·10 seats
  • ·Everything in Pro, plus Catalog, Socials and Creators

$250

Per artist, per month.

500 credits per artist, every month

See it with your artists

Credits are shared across the workspace and top up any time. Every new account starts with 150 free credits. Compare plans

§ 05 · FAQ

Things people ask before they trust her.

§ 06 · Next step

See Maude on your artists’ numbers.

Tell us which artists and statements you want to start with, and we’ll walk your team through her read. Or start on your own: your first 150 credits cover her first assessment.