Royalty data sits in distributor portals, label PDFs, and publisher exports, each in its own format. Statements are written for the platforms, not for the people whose music funds them. Checking them line by line, across every artist, takes time most teams would rather spend elsewhere, and income from a place an artist is owed is easy to miss.
Music is hard. The numbers shouldn’t be.
Here is how the work runs. Your team hands Maude what it has: distributor reports, publisher and PRO statements, split sheets, dashboard screenshots. She checks each line against what the artist should be getting paid, flags the gaps, and ranks them by dollar impact. Every finding links back to the line it came from, says what she assumed, and carries a confidence level. When the evidence is thin, she says she cannot tell what caused a change instead of guessing. Your team reviews the read and decides what to act on.