Agent A-05 Live
Maude, business affairs: friendly coral flat-vector character with a silver bun and round reading glasses.

Your royalty statements
aren’t going to read themselves.

Maude runs business affairs for artists, managers, and label staff. She reads royalty statements, splits, and sync placements, then runs the numbers forward: sales projections, revenue forecasts, and the reporting a label meeting would ask for. She tells you, in plain English, where the money is and where it’s heading.

Part of the Symphony roster. Talk to her by text or in the app. First 200 credits free.

§ 01 · The Agent

The secretary your music business has been missing.

Royalty data has been buried in distributor portals and label PDFs since the day streaming started paying out. Most artists are only collecting from some of the places they are owed, and have no way to know what they are missing. Statements are written for the platforms, not for the people whose music funds them.

Music is hard. The numbers shouldn’t be.

Maude has forty years of forensic accounting under her belt. She started in a major label royalty department in 1983, went independent in the 90s, and audited on both sides. For labels chasing phantom income. For artists chasing money the label forgot. Warm at the table, ruthless with the numbers.

She reads what your distributor sends, what your publisher sends, what your PRO sends, and the screenshots in your camera roll. She checks every line against what you should be getting paid. She flags the gaps, ranks them by dollar impact, and tells you what to do next. In plain English. On your side. Period.

Ask Maude
Can you look at my last statement? Something feels off.My streams are up but the money isn't. What's going on?Three of us wrote this track. Who's actually owed what?
My song was in a Netflix show. Did I get paid for both sides?If I keep this up, can I actually quit my day job next year?Am I collecting everywhere I should be? MLC, my PRO, all that?

§ 02 · The assessment

A two-minute read of your business.

Tell Maude about your music business in your own words. Drop in a screenshot of your Spotify, Apple Music, or distributor dashboard if you have one. She returns a short letter, the same shape she sends to artists who hire her.

Maude is listeningClick to write your own

§ 03 · What Maude does

Four jobs, one agent.

01

She reads your statements

Hand Maude whatever you have. Distributor reports, royalty statements, spreadsheets, screenshots. She checks every line against what you should be getting paid and flags anything that looks off.

02

She finds the money you are missing

Most artists are only collecting from some of the places they are owed. Maude checks all of them and tells you where income is sitting uncollected, and how much.

03

She runs your numbers

Where is your money coming from. Where is it going. Maude breaks it down by platform and territory, then projects where your business is headed so you can plan your next move.

04

She speaks your language

No jargon. No 40-page PDFs. Paste, upload, or type. Maude explains everything the way a smart friend would. Clearly, honestly, on your side.

§ 05 · A letter from Maude

What Maude sends back.

From Maude

Dear Kaia,

Your streams are up 43% year-over-year. Nice work. Your revenue only grew 11%. Here is why.

The good news

  • · Spotify streams 2.1M to 3.0M (+43%)
  • · “Neon Drive” hit three editorial playlists
  • · Apple Music growing in the UK and Germany

The flags

  1. 1. You are not collecting royalties from two major places you are owed. About $1,200/yr sitting unclaimed.
  2. 2. Your music is earning in 30+ countries but you are only set up to collect in the US. Estimated gap $800/yr.

The math

Money left on the table: ~$2,000/yr

What I’d do next

  1. 1. Register with the MLC and SoundExchange. Ten minutes. Free money.
  2. 2. File for international neighboring rights collection. Set and forget.

Yours in the numbers,
Maude

A real assessment from Maude. Names changed.

A record label, written down as software.

§ 08 · FAQ

Things people ask before they trust her.

§ 09 · Hire her

Bring Maude in. The math is her problem now.

Your first 200 credits cover her first assessment. See what she finds, then keep her on the roster for as long as the statements keep coming.