01
She reads what's already moving
Create counts on the sound, week over week velocity, the accounts already carrying it, and the language the comment sections keep reaching for. The campaign starts from what is true today, not from a hunch.
Agent A-06● Live
Something is already moving.
she finds who’s carrying it.
Sage finds the creators worth paying. Big accounts and small ones, picked because their posts actually reach people, not because the follower count looks good. She messages them herself, agrees the price inside the range you set, and waits for you to release every batch. Narrative seeding and clipping run through our partner networks, briefed by her and checked against what lands.
Pro starts at $49 a month for independent artists, with the whole roster. New accounts receive 150 initial credits; after 30 days, an unpaid account at zero credits may receive a fixed 50-credit refill once per calendar month.
- 350M+
- Creator profiles she searches
- 16+
- Platforms she pulls live data from
- 30 days
- Every post watched after it goes live
- 0
- Messages sent before you release them
WHERE SHE LOOKS
and more§ 01 · The Agent
You cannot force a trend. You can find the one you already have.
Most seeding starts with a wish. Pick a sound, write a brief nobody can picture, pay a hundred accounts with big follower counts and small real reach, and hope the thing catches. It usually does not, and by the time the invoices land there is no way to tell which posts did anything.
Sage starts from the other end. She reads what the record is already doing, who is already posting to it, and the words the comments keep using. Then she builds the campaign on top of that. Narrative seeding on X and Instagram, and clipping and content-reward campaigns, run through partner seeding networks: she writes the brief, dispatches it, and holds the network to what it said. Micro creator UGC and macro discovery she runs creator by creator, picking on what their posts actually reach and messaging from her own address behind a gate you hold. Four lanes, two ways of running them. She does not set the strategy. Maestro does. Sage makes the moment bigger than it was.
Ask Sage
›Who's already posting to my sound? Show me the real ones.›Write me a seeding brief for the single. Angles, not vibes.›Find me 20 creators for this record and screen the fake views.
›Draft the outreach, but don't send anything until I say.›I've got $5k for clipping. What does that buy me on TikTok?›She's asking double the rate. What are we actually paying?
§ 02 · What Sage does
Six jobs, one campaign.
02
She writes the brief as angles
Not a description of a vibe. Named angles, each with example captions a creator can actually work from and blunt rules about what to use, what to skip, and what never to do. A brief that survives contact with a real creator, and holds up as the spec a partner network gets held to.
03
She sources direct, and briefs the networks
She searches 350M+ creator profiles and pulls live data across 16+ platforms, starting with who is already posting to the record. She scores them on what their recent posts actually reached, not follower count, and drops accounts whose views do not match their likes and comments before you see the list. Narrative seeding and clipping run through partner networks, where she writes the brief and holds them to it.
04
She runs direct outreach from her own address
Every note to a creator she signs herself is drafted and held. You approve the roster, then release each batch. Nothing leaves her address without a person releasing it. She writes. You send.
05
She negotiates inside your rate band
You set the band. On the creators she signs direct, Sage agrees deals inside it without asking, and brings anything above it back to you before it becomes a commitment. You find out about the expensive yes before you have made it.
06
She tracks every deal to the post, and after
A twelve-state lifecycle from first contact to live post, including a QA window where you check the post before it counts, then thirty days of monitoring. A post pulled inside those thirty days takes that creator off your future shortlists. Network deliveries get checked back against the brief they were sent.
Amplify what is already happening.
§ 03 · The sound, seeded
The record was already moving. She found who was carrying it.
Sage is reading the momentum on Aurora Lane’s single, then building the shortlist off it. Every creator here is scored on measured median reach, not follower count.
AURORA LANE · “NIGHT BUS”
0 creates0 carrying it alreadySHORTLIST · SCORED ON MEDIAN REACH
@nightbusdiariesLate-night POV, already used the bridge twice
@karolinamovesDance, the niche the sound is spreading through
@thequietpartVoice-over storytelling, comment language matches
@sixthfloorsoundMusic discovery, posts to sounds before they break
@viralcutsdailyScreened out: views 14x median reach, engagement flat
Median reach is what their last posts actually did. Fit is how close they sit to the record.
THIS CAMPAIGN
MonReadThe sound is up 3.1x week over week. Two dance accounts started it. The comments keep saying the same four words.
MonWroteThree named angles with example captions and the rules: use the bridge, no lip sync, keep it in one take
TueAgreed12 creators inside the rate band. One asked above band and came back to you before anything was agreed
ThuLive9 posts up and through your QA window. Monitored for 30 days: a post pulled early takes that creator off future shortlists
WAITING ON YOU
Drafted
14 notes
Status
Held
Next
Nothing leaves her address until you approve the roster and release the batch. Sage drafts. You send.
9 posts live and monitored. Day 4 of 30.
One campaign, shortened.
§ 03b · How a seed travels
One clip. Then the room starts talking.
A seed is one asset and the voices that carry it. Sage picks the accounts whose audience already cares about the idea, briefs the angle, and the conversation does the rest.
CARRIED
third verse @thirdverse · 2h
a stream pays you a fraction of a cent. an email address sells a $50 hoodie. pre-saves were never about the streams.
@onemoretime.fmPre-saves are not about the streams. They are about the fan data.312 reposts · 1,840 likes
night shift notes @nightshiftnotes · 1h
you can have a song do numbers and still not know one person who played it. that is the whole problem.
96 reposts · 703 likes
The asset is real. The accounts carrying it are an illustration.
§ 04 · Pricing
Hire Sage when the record needs people carrying it.
Sage
One subscription hires the whole roster, Sage included. Maestro briefs her in.
- ·Live momentum reads on the sound: creates, velocity, who is already carrying it
- ·Seeding and clipping briefs written as named angles, with example captions and rules
- ·Partner network dispatch on the seeding and clipping lanes, with delivery tracked against the brief
- ·Direct creator sourcing and fit scoring on measured median reach, with reach-mismatch screening
- ·Direct outreach from her own address, behind a send gate you hold
- ·Rate-band negotiation on direct deals, with anything above band escalated to you
- ·Deal tracking through a QA window and thirty days of live monitoring
From $49
Per month. Every agent included.
Runs on credits
The subscription price stays fixed. Credits meter the work; Pro and Label top-ups cost extra.
- ·A monthly credit allowance is included
- ·Pro and Label can buy credit top-ups
- ·Every new account starts with 150 free credits
- ·What you pay creators is separate, and set by you
Credits
Included monthly. Options scale with you.
Pro starts at $49 a month for 500 credits, Sage included, and is designed for independent artists. New accounts receive 150 initial credits; after 30 days, an unpaid account at zero credits may receive a fixed 50-credit refill once per calendar month.
§ 05 · Questions
Asked and answered.
Does she message creators on her own?
She writes every message, then waits for you. You look at the list of creators, and you send each batch yourself. Nothing leaves her inbox until you say go. This is not a setting you can forget to switch on. It is always on.
How does she pick creators?
She starts with who is already posting to your song, and who those people reach. Then she checks how many views their recent posts really got, instead of trusting follower counts. If someone has big views but almost no likes or comments, she treats that as a reach mismatch and keeps them off your list. The network campaigns are held to the same standard, written into the brief.
What kinds of campaigns does she run?
Finding the right creators is her main job. She finds big and small influencers who fit your song, checks that their reach is real, handles the outreach from her own address, and agrees a price inside the budget you set. She does that one creator at a time, from the first search to the signed deal. She also runs narrative campaigns on X and Instagram, and clipping campaigns on TikTok, Instagram, and X. Partner networks deliver those. She writes the brief and checks what comes back against it.
Who decides what a creator gets paid?
You do. You set the price range, and Sage agrees any deal inside it without checking in. If a creator asks for more than that, she brings it to you first. Nothing gets promised with your money unless you said yes. Network campaigns run to a budget you set the same way.
What happens after a post goes live?
You get time to check the post yourself before it counts. After that, Sage watches it for thirty days. If a creator takes their post down early, they do not show up on your next list. Posts from the networks get checked against the brief the same way.
How do credits work?
Credits come with your plan and cover every agent, Sage included. A quick question costs a little. A long job costs more. Busy month? Pro and Label plans can buy extra. What you pay creators is separate, and that money is yours to set.
§ 06 · Hire her
Stop paying for posts nobody saw.
One subscription. Creators picked on what they actually reach, networks held to the brief they were sent. Nothing sends without you.