01
He is the interface
Open Symphony, you are talking to Maestro. Text him from the studio, you are talking to Maestro. Brief him on the drive home, you are talking to Maestro. One conversation across every channel, every device, every week.
Maestro is the agent you actually talk to. Text him. He remembers every artist, every campaign, every number you have ever shared with him. Then he runs the rest of your team in the background, so you do not have to.
Studio: $99 a month to start, the whole roster, shared credits. First 200 free.
§ 01 · The Agent
An artist team is one person doing nine jobs. The plan. The ads. The brief. The press. The streams. The royalty statement. The decision someone made three weeks ago that nobody can remember. Nothing is connected. Everything starts from scratch every Monday.
The studio is the artist. The artist runs the studio.
Maestro is the one who actually pays attention to all of it. He is the agent you text, the agent your phone is open to. He holds the memory. He picks the right agent for the next move. He briefs the team. He waits for your approval. He runs the play.
He does not sleep. He does not forget. He does not start the week wondering what happened last week. He has read every number you have ever shared with him and he holds it the way a conductor holds a score. With Maestro, you stop being the manager of nine half-finished things and become the artist who runs a studio.
§ 02 · What Maestro does
01
Open Symphony, you are talking to Maestro. Text him from the studio, you are talking to Maestro. Brief him on the drive home, you are talking to Maestro. One conversation across every channel, every device, every week.
02
Maestro writes the digital marketing plan. He reads the last ninety days of streams, spend, and sentiment. He picks the cities. He sets the budget. He sequences the rollout from announce to album cycle.
03
Maestro hands execution to Simmy, routes deal risk to Maude, and coordinates the rest of the team. He gives you one daily recap. You approve the calls that matter.
04
Every artist, every campaign, every decision, every number. Maestro forgets nothing you have told him, and shares nothing you have not. He picks up where you left off, on every device, every time.
The first artist team that never starts from scratch.
§ 03 · A group chat
Manager
Maestro
Maestro
Manager
Maestro
Maestro
A real Maestro thread. Names changed. Numbers are real.
§ 04 · Pricing
Maestro
The interface to the whole roster. One subscription hires everyone.
$99
Per month. Every agent included.
Runs on credits
The hire is flat. The work is metered, so quiet months cost less and heavy months are your call.
Credits
Included monthly. Top up any time.
Every new account starts with 200 free credits: enough to brief Maestro and see the team work before you pick a plan.
§ 05 · Questions
The Symphony app is Maestro. When you open Symphony, you are talking to Maestro. The rest of the agents work in the background. You only see Maestro.
Maestro plans the campaign. Simmy runs it. Maestro decides where the five thousand dollars goes. Simmy is the one logged into Meta at 11pm watching it pace correctly.
No. He gives your manager the leverage of a nine person team. Most artists who use him say their manager finally has time to do the work only a human can do.
In your Symphony account. Encrypted, scoped to your roster, never used to train models. Maestro forgets nothing you have told him, and shares nothing you have not.
Every new account starts with 200 free credits. Brief Maestro, run a real task, see what comes back. When the credits run out, $99 a month hires the whole roster.
Credits come with the plan and meter the work, so quiet months cost less and heavy months are your call. The monthly allowance runs the whole roster, Maestro included, and every new account starts with 200 free credits. When a release runs heavy, you top up. You never pay per agent.
§ 06 · Hire him
One subscription. One interface. A team that remembers.